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The Geraldine Connor Foundation

14 September 2017

Carnival Messiah: Proof That This World Needs Art

The wonderful Anna, who has been working at GCF as part of the Undergraduate Research and Leadership Scholarship at the University of Leeds, reflects on the lasting legacy of Geraldine Connor’s magnum opus, Carnival Messiah

When I applied to do a summer research project on ‘The Impact and Legacy of Carnival Messiah’, I never imagined where it would take me. From being mic’d up to interview world class opera singers, to drinking tea with the Earl of Harewood, to spending an evening freestyling to Caribbean dancehall music with a group of strangers, I have been awed and inspired at every turn. After six weeks work I can safely say there is no simple way to describe my exploration of Carnival Messiah, but I’ll do my best.

Anna May at the Carnival Messiah the Film screening
Anna May at the Carnival Messiah the Film screening

Carnival Messiah was the pinnacle of Geraldine Connor’s artistic career, both an exceptional piece of theatre and a politically charged platform for social and personal transformation. With its beginnings as a student project in the 90s at Bretton Hall and developing into a huge scale professional production with performances in Leeds, London, and Trinidad, it has now been seen by over 750,000 people across the globe. Geraldine herself described it as a ‘spectacular musical showcase, featuring a multi-ethnic multitude of singers, musicians, masqueraders, dancers and actors […] the excitement, music and colour of Carnival blended with Handel’s most inspiring and exhilarating melodies’. The classical Christian story presented in an explosion of global art forms sounds bizarre and chaotic, and in many ways it was, but it worked.

Carnival Messiah 2017 1 - Photograph by Diane Howse
Carnival Messiah, Photograph by Diane Howse

Carnival Messiah was a dazzling spectacle that received standing ovations from audiences night after night, but it was also deeply enlightening and transformative. The production was embedded with history and politics; it aimed to educate the diverse community of Leeds about its rich mutli-cultural heritage, with a focus on Caribbean culture, looking at themes such as the migrant experience, the meaning of Carnival, and the history of the slave trade. Geraldine was concerned by the harmful divisions in our society, by the way cultural difference was being exploited for conflict and exclusion, rather than celebration and unity. She saw Carnival Messiah as a way to approach these issues in a non-confrontational way, while helping each participant to develop professional and life skills at the same time. Through art, Geraldine created a platform for empowerment, equality, and hope, and paved the way to space of ‘safety and well-being where all can co-exist in love, peace and harmony’.

Carnival Messiah 2017 5 - Photograph by Diane Howse
Carnival Messiah, Photograph by Diane Howse

Ten years since the last performance at Harewood House, and six years since Geraldine passed away, Carnival Messiah is still alive and kicking. Every single person (and I mean about a hundred of them) who have spoken to me about their experience seem buoyed up by some sort of external energy, a sense of truth and joy unique to Carnival Messiah. Each person has been on their own journey, both professional and personal, which continues to impact them even now. Every interaction, the face-to-face interviews, the phone calls, even the emails, have been full of life and taught me a multitude of unexpected lessons about the creative world, but also about life more generally. I feel privileged to have had my eyes opened to the very special world of Carnival Messiah and am grateful to everyone I have met and who made this possible.

Carnival Messiah is the perfect example of good art. While drama, dance, music, design etc. may be seen primarily as a creative outlet, a source of entertainment, or a showcase of talent, we must not forget its powerful potential to enrich and transform people’s lives. To me, this is what art is, and this is what we should be striving for.

If you were involved in Carnival Messiah and would like to share your experiences about the production with us, please get in touch: info@gcfoundation.co.uk.

24 August 2017

Project Update – Forest Dreaming

It’s been three weeks since we wrapped up another very successful creative lab. This year’s intensive week long creative workshop brought together an amazing creative team, artists, semi-professional performers, new graduates and young people to explore scenes from Forest Dreaming, a newly commissioned musical theatre production based on Shakespeare’s A Midsummer Night’s Dream.

Forest Dreaming

The original concept for Forest Dreaming came from Geraldine Connor and is being brought to life by writer Pat Cumper and composer Dominique Le Gendre. Forest Dreaming takes Shakespeare’s most popular comedy and combines it with Afro-Caribbean arts, inspired by a contemporary multi-cultural society. The production is set in two worlds; Theseus and Hippolyta’s world of order, commercial business and technology which contrasts with the enchanted forest and organic natural world of the market.

Forest Dreaming, production, musical, arts, shakespeare, artists, actors, creative

The production’s score was brought to life for the first time during the creative lab, and the week culminated with an on-site ‘dress rehearsal’ at Kirkgate Market.

The whole team are looking forward to the next stage in the development of this exciting project with special ‘pop-up’ previews of Forest Dreaming at Kirkgate Market on Saturday 16th September. For more information, click here.

Forest Dreaming, score, music, musical
The cast and creative team of Forest Dreaming in rehearsal. Photos by Sally Molineaux

This project has been made possible through support from Arts Council England which we are hugely grateful for.download

7 October 2016

GCF New Communications Intern

 

Hello my name is Kathleen and I’m the new Communications Intern here at the Geraldine Connor Foundation. I’ll be here for the next 6 months thanks to the Creative Employment Programme, which helps unemployed people aged 16-24 to find paid internships in the Arts.

Kathleen Helm
Kathleen Helm

This week has been hectic to say the least. My first day was a whirlwind of heavy lifting and office design as we switched the office around to fit the growing team. As I write this I’m sat at my new clean white desk, (complete with obligatory office plant) and slowly but surely I’m starting to feel at home.
I’ll be spending a lot of time at this desk keeping you all up to date on what we do here at the foundation. Fortunately, I’ve been lucky to find an amazing team for my first professional role who have been generous and patient with me whilst I get to grips with everything.

Last night, I got my first true taste of the Foundation at the launch of this Autumn’s Creative Café on Singing, Song-writing and Performance, with the outstanding Caution Collective.
I was unsure of what to expect but entering with an open mind I was overwhelmed by the experience which was far exceeded anything I could have hoped for. The atmosphere within the room was exciting, engaging but above all welcoming and the two hours spent with a group of strangers laughing, playing and being creative flew by all too soon. Coming from a musical background myself the workshop lifted my spirits and I went home with melodies buzzing around my head. Everybody at the session brought their own uniqueness and over the workshop I witnessed as the group opened up and blossomed. I can’t wait to see where everybody is in 6 weeks’ time and look forward to meeting more new talents next week.

I hope we can reach many more people over the coming months and share these amazing experiences. Hopefully, you’ve noticed that within the last week the Foundation has been more active on Facebook and Twitter, which is one of my key focuses in my time here (see the links above). I’ll also be blogging frequently and keeping in touch with all our supporters via email as well as updating the website and doing some design work.

I’d like to thank everybody at the Geraldine Connor Foundation for this opportunity, the Creative Café really showed me the influence that Geraldine had and inspired me to do as much as I can in my time here. But enough talk- time to get to it!

Kathleen

7 September 2016

Creative Lab Film 2016

Take a look at the highlights of our Creative Lab 2016.  Film maker Sally Molineaux created this great film for us visit the Creative Lab 2016

https://youtube.com/watch?v=xVV5quNhNfIframeborder%3D0allowfullscreen

Participant's and Artist's from the Creative Lab 2016

31 August 2016

We are recruiting for a Communications Intern

We need help keeping everyone up to date with the work of GCF so we are looking for a Communications Intern.  The purpose of the role will be to spread the message about what great workshops, projects, performance we deliver.  If you are interested or you know someone who might be, please visit our Get Involved page and look at Jobs at GCF.

To be eligible for this paid internship you must be aged between 18 – 24 years and by registered unemployed with the Jobcentre Plus.

You have not got long to apply the deadline for application is Friday 16th September at 10am with interviews being held on Tuesday 20th September at the GCF offices.

Contact Selina for further information or for help filling out the form selina@gcfoundation.co.uk or call 0113 243 1166

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